Q&A with Rani Mukerji
Image by: Deshakalyan CHOWDHURY / AFP PHOTO
Actress Rani Mukerji, the pretty girl in the ‘Khandala’ song, has played a firebrand reporter, an angel, a deaf-mute, con artist and even a cricket-obsessed woman disguised as a man, since her Bollywood debut in 1997.
Her last film Aiyyaa didn't quite set the box office on fire but Mukerji is back this Friday in Reema Kagti's suspense drama "= Talaash.
Mukerji spoke to Reuters about Talaash, working with bound scripts and why she didn't dwell on the failure of Aiyyaa.
Q: What is it that you look for when you are
watching a murder mystery?
A: "What I look for is that the surprise element
in the end -- the suspense is what (makes it) worth watching the
entire film."
Q: When you listened to the script of
Talaash, was that element obvious right away?
A: "Yes. This is my first such film. Normally when
I say yes to a film, it is not the genre that attracts me. It is
whether the script is good, whether the role they have offered me
is good enough or challenging enough for me as an actor. When these
two things match, I say yes."
Q: Sometimes a script might not look good on
paper, but it may not turn out the same on screen. How do you deal
with that?
A: "When you read a script, I always visualise the
film in my head. So when you shoot it you are just giving life to
that script, so (it's) very seldom that it can go wrong. It used to
happen in those times when you didn't have bound scripts. When
there are no bound scripts and there is only a storyline and script
is being written on the day of the shoot, then, obviously you
haven't visualised the film. Today, in the day of bound scripts,
there is not much scope. There might be an edit pattern that might
be different."
Q: How did you do films which didn't have a bound
script?
A: "Luckily for me, I have not worked in many
films like that. Very few, and those were the films where I had
hardly had a role at all, so it didn't matter."
Q: In the last three years, you haven't done too
many films, but they have all been very distinct. Have you become
choosier?
A: "Normally, with every phase of an actor, there
comes a sense of calm and contentment and you don't want to a film
because you want to please anybody -- but yourself."
Q: Not even the fans?
A: "The fans are the utmost reason why you choose
to do films for yourself. What I mean to say is that you stop doing
films as favours, you stop doing films for friends. When you do
films for yourself, you are working for your audience. I know for a
fact that I am doing this for audiences only and nothing else. They
want only the best from me."
Q: When did you first feel this sense of
contentment?
A: "I think it first happened ten years ago, when
I did
Saathiya. I think it happened then. I can just select the
films I want to do and do the films I want to do because this is
what the audiences like."
Q: What happened to make you think that way?
A: "I think (it) happened during Mujhse Dosti Karoge when I realised that actresses also have an equal role as compared to the guy. You have to do something meaningful as compared to the guy and your part has to mean something. You shouldn't just be part of the film, but the film should be a part of you and your character. And that's when Saathiya happened, when I realised that this (is) the kind of film I should be doing."
Q: Were you disappointed with the reception that
Aiyyaa got?
A: "No … I have to do my work honestly. The rest
of it is really not in my hands. Just because I like a script,
doesn't mean audiences will also like it. I can only hope for them
to like it. Because I really enjoyed the part. You cannot do much
about it. That's a part of the industry, part of the game. You win
some, you lose some.
"Yes, you do feel bad – by Friday evening you get to know the
film hasn't worked and after that there is no disappointment.
Whatever disappointment is there is there for a day. After that you
pull up your socks and work hard on the next project."
Q: So you don't dwell?
A: "Not at all. Never. There is no use wasting
time. Absolutely."
Q: Is it the same with a successful film?
A: "Yes, it is absolutely the same. You cannot
keep rejoicing success and not see what is coming next. It is more
important what is your next because you are expected to better
that. With failure, you are on your back foot, so people don't
expect much. After success you definitely have to start working
harder."



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