Jemma Kahn's gloriously pervy strain of Japanese-inspired theatre

22 November 2015 - 02:00
By Alexander Matthews

'We Didn't Come to Hell for the Croissants' is the second of Jemma Kahn's electrifying plays to be inspired by the old Japanese tradition of kamishibai. Alexander Matthews finds out more To explain Jemma Kahn means having to explain kamishibai, and to do that we have to travel far from the uncomfortable blonde chairs in the hip café in Cape Town where she and I are sitting - all the way to Japan, circa 2008.

This article is reserved for Sunday Times subscribers.

A subscription gives you full digital access to all Sunday Times content.

Please visit SundayTimes.co.za in your desktop to view our latest subscription options.

Already subscribed? Simply sign in below.

Sign In

Questions or problems? Email helpdesk@timeslive.co.za or call 0860 52 52 00.