IN PICS | Andile Dyalvane honours his ancestors by bringing his famed ceramics home

The acclaimed ceramicist's latest works are due to be exhibited in New York, but first they made their debut in a tiny Eastern Cape village

06 December 2020 - 00:02 By Sunday Times Reporter
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Andile Dyalvane, who is considered one of Africa's foremost ceramicists, at home in Ngobozana in the Eastern Cape.
Andile Dyalvane, who is considered one of Africa's foremost ceramicists, at home in Ngobozana in the Eastern Cape.
Image: Adriaan Louw via Southern Guild/Friedman Benda

When a Stuttafords Van Lines truck arrived in the tiny village of Ngobozana in the Eastern Cape (population approximately 532) one recent Friday morning, it was met with ululation and dancing.

After a 1,300km journey from Cape Town along potholed roads and winding rural passes, its arrival was no small feat. But the contents were the real cause for celebration: 19 large ceramic sculptures by Cape Town-based artist Andile Dyalvane.

Widely considered one of Africa's foremost ceramicists, Dyalvane was born here and knows the surrounding hillsides, forests and dongas like the back of his hand. He grew up farming and looking after his father's cattle, sewing a deep connection to the land and his Xhosa culture that resonates powerfully through his work today.

His latest exhibition, iThongo — "ancestral dreamscape", his fourth solo show, will open at Southern Guild gallery in Cape Town on December 10, and in New York at Friedman Benda in June 2021. But first — in honour of his ancestors and the community that shaped him — Southern Guild and Dyalvane brought it home.

For two days, the residents of Ngobozana celebrated, remembered, feasted, drank and danced. At the centre of the festivities was Dyalvane: a man of irrepressible energy and generous spirit, whose message of healing and love for his culture unleashed a wave of cultural pride in this remote village.

Bringing his work home to show to his community was a long-held dream of Dyalvane's. He has exhibited, taught and earned residencies all around the world and has work in the collections of museums including the Vitra Design Museum in Germany and the Yingge Ceramic Museum in Taiwan.
Bringing his work home to show to his community was a long-held dream of Dyalvane's. He has exhibited, taught and earned residencies all around the world and has work in the collections of museums including the Vitra Design Museum in Germany and the Yingge Ceramic Museum in Taiwan.
Image: Adriaan Louw via Southern Guild/Friedman Benda
An aerial view of the kraal at Dyalvane's family homestead, the focal point of the weekend activities during which family members and honoured guests sat upon the sculptural ceramic chairs he's created for his latest exhibition. In recognition of their ceremonial origins, the sculptures will be arranged in a circle when they are shown at Southern Guild gallery in Cape Town.
An aerial view of the kraal at Dyalvane's family homestead, the focal point of the weekend activities during which family members and honoured guests sat upon the sculptural ceramic chairs he's created for his latest exhibition. In recognition of their ceremonial origins, the sculptures will be arranged in a circle when they are shown at Southern Guild gallery in Cape Town.
Image: Adriaan Louw via Southern Guild/Friedman Benda
The form of each chair is based on a symbol representing important concepts in Xhosa life. 'Izilo (Totem Animals)' recalls the Xhosa practice of associating clans with particular animals and the symbolism that they carry. The association - often invoked in ceremonies that are specific to each clan — creates a greater sense of belonging.
The form of each chair is based on a symbol representing important concepts in Xhosa life. 'Izilo (Totem Animals)' recalls the Xhosa practice of associating clans with particular animals and the symbolism that they carry. The association - often invoked in ceremonies that are specific to each clan — creates a greater sense of belonging.
Image: Adriaan Louw via Southern Guild/Friedman Benda
Hand-coiled from terracotta clay, the chairs sit close to the ground, which 'is revered as an ancient portal for ancestral communion', according to Dyalvane. 'uMama (Mother)' can seat two people, an acknowledgement of the inclusive and embracing role mothers play in the family.
Hand-coiled from terracotta clay, the chairs sit close to the ground, which 'is revered as an ancient portal for ancestral communion', according to Dyalvane. 'uMama (Mother)' can seat two people, an acknowledgement of the inclusive and embracing role mothers play in the family.
Image: Adriaan Louw via Southern Guild/Friedman Benda
Dyalvane and his family en route to the hilltop opposite Ngobozana, the site of an old village that was forcibly removed under apartheid laws in 1965. They carry one of his sculptures called 'uMalusi (Shepherd)', which will be installed on a plinth overlooking ancestral burial grounds.
Dyalvane and his family en route to the hilltop opposite Ngobozana, the site of an old village that was forcibly removed under apartheid laws in 1965. They carry one of his sculptures called 'uMalusi (Shepherd)', which will be installed on a plinth overlooking ancestral burial grounds.
Image: Adriaan Louw via Southern Guild/Friedman Benda
Andile Dyalvane and his wife, Nkuthazo Alexis Dyalvane.
Andile Dyalvane and his wife, Nkuthazo Alexis Dyalvane.
Image: Adriaan Louw via Southern Guild/Friedman Benda
Dyalvane and his family prepare to install 'uMalusi (Shepherd)' on the hilltop opposite Ngobozana where it will serve as a monument offering healing to those who have been dispossessed.
Dyalvane and his family prepare to install 'uMalusi (Shepherd)' on the hilltop opposite Ngobozana where it will serve as a monument offering healing to those who have been dispossessed.
Image: Adriaan Louw via Southern Guild/Friedman Benda
Dyalvane presented the people of Ngobozana with 100 terracotta beer pots to use for drinking umqombothi. The gesture recalls an earlier gift about 10 years ago, when he returned home bearing a unique clay vessel for his father, to replace the plastic or metal buckets that had become common. The moment was a profound awakening for Dyalvane, setting in motion a renewed interest in traditional Xhosa culture among his community.
Dyalvane presented the people of Ngobozana with 100 terracotta beer pots to use for drinking umqombothi. The gesture recalls an earlier gift about 10 years ago, when he returned home bearing a unique clay vessel for his father, to replace the plastic or metal buckets that had become common. The moment was a profound awakening for Dyalvane, setting in motion a renewed interest in traditional Xhosa culture among his community.
Image: Adriaan Louw via Southern Guild/Friedman Benda

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