The expressive power of clothing is one we are all familiar with. I still recall the days when I was a teenager, experimenting with clothes. My attempt to pin down a sense of style was a way of expressing myself.
Meryl Streep's portrayal of Katharine Graham in The Post is not only a retelling of an iconic moment in media history, it is also an enlightening depiction of the expressive and transformative power of clothing.
Although '70s fashion was marked by floral-printed silk shirts and wide bell-bottomed silhouettes, the movie depicts an interesting dichotomy in the way women dressed at the time.
Women in the workplace wore muted shirts with wide-lapel blazers, A-line skirts and minimal jewellery, while women at home or on a casual evening out wore floral, paisley-printed dresses, pearls and collarless crew-neck jackets - a noticeably more feminine look.
As the film shows, Graham was a woman in a man's world - she walked into boardrooms as a lone female surrounded by men in dark suits, pale shirts and ties. At the beginning of the film, Graham is meek and struggles to speak out - even when she knows what to say - and tries to assimilate male power by blending in.
She wears dark skirt suits with broad lapels and neck-cinching pussy-bow shirts. As she becomes more comfortable with her role as a powerful career woman, her style begins to shift.
The day she goes to register The Washington Post as a public company at the New York Stock Exchange, she is wearing a stone-washed cream wrap dress - a marked change for a woman who we had only seen wearing dresses at home or at dinner parties.
WATCH | The trailer for The Post