Advances in technology, from satellite images to VR to artificial intelligence, have helped create digital twins of cities, or virtual three-dimensional replicas that can more accurately track and predict climate impacts and simulate wildfires, pandemics and terror attacks to plan for responses.
The technologies are also being used to preserve landscapes, monuments and traditions lost due to war, and to archive those in danger of disappearing due to climate impacts.
In Vanuatu, communities are leading digitisation efforts to preserve the nation's 117 endangered languages, and document traditional practices such as taro farming.
Meanwhile, American artist Amy Balkin crowd sources objects from places facing climate threats, and has received contributions from Nepal to Panama for her collection titled A People's Archive of Sinking and Melting.
Communities are best placed to decide whether, and how, their lives and homes must be memorialised, so there must be processes for them to act on what's “most important and urgent”, said Kasia Paprocki, an associate professor of environment at the London School of Economics and Political Science.
Separately, an online museum of photos, videos, artefacts and stories of communities facing climate impacts is being set up by the International Institute for Environment and Development (IIED), a thinktank, with Dhaka-based International Centre for Climate Change and Development.
“Somebody in Senegal, Malawi, or Botswana losing something may not mean much to somebody sitting in the UK or Germany,” said Ritu Bharadwaj, a principal researcher at IIED.
“But if they see photos or videos of what we are losing as a global heritage, it would help foster a sense of value and respect.”
Pacific Tuvalu preserves history online as rising seas threaten existence
Nations hit by climate impacts digitise memories and traditions
Two years after he delivered a speech to the UN climate conference while standing knee-deep in seawater to highlight the threat to the nation of Tuvalu, minister Simon Kofe said they were on their way to becoming a digital nation.
The Pacific island nation, halfway between Australia and Hawaii, has completed a detailed 3D scan of its 124 islands and islets which will be the basis for creating a digital clone of itself, he said in a message in December.
Authorities are also archiving Tuvalu's cultural heritage and exploring a digital identity system to connect the diaspora and a digital passport so citizens can register births, deaths and marriages, and participate in polls and other events.
“We are taking these practical steps because we must ensure our continuing sovereignty in the face of a worst-case scenario,” said Kofe, minister of justice, communication and foreign affairs.
“We cannot outrun the rising tides, but we will do what we can to protect our statehood, our spirit, our values.”
About 40% of the main atoll and capital district Funafuti is underwater at high tide, and the nation is forecast to be submerged by the end of the century.
Tuvalu may become the first nation in the metaverse — an online realm that uses augmented and virtual reality (VR) to help users interact — but it isn't the only one seeking digital solutions to operate in emergencies and to preserve heritage.
During the Covid-19 pandemic, when physical movement was restricted, the island nation of Barbados said it would enter the metaverse to provide consular services, while in Metaverse Seoul, launched last year, visitors can pay taxes, play games and visit the city's tourist spots.
The Ukraine government's digital platforms have evolved since the Russian invasion to provide details on bomb shelters, let citizens vote on petitions, and list damaged property. Volunteers have uploaded digital copies of art and music to a cloud database.
Moving an entire nation-state to the virtual world has enormous technical, social and political challenges, besides raising concerns about access, security and who controls the data, said Nick Kelly, an associate professor at the Queensland University of Technology.
“Much of the present investment in building the metaverse is coming from private companies. If our relationships, friendships, shopping, entertainment, learning and business all take place in the metaverse, we give up much of our autonomy,” he told the Thomson Reuters Foundation.
“Who shapes the rules of those spaces?”
Advances in technology, from satellite images to VR to artificial intelligence, have helped create digital twins of cities, or virtual three-dimensional replicas that can more accurately track and predict climate impacts and simulate wildfires, pandemics and terror attacks to plan for responses.
The technologies are also being used to preserve landscapes, monuments and traditions lost due to war, and to archive those in danger of disappearing due to climate impacts.
In Vanuatu, communities are leading digitisation efforts to preserve the nation's 117 endangered languages, and document traditional practices such as taro farming.
Meanwhile, American artist Amy Balkin crowd sources objects from places facing climate threats, and has received contributions from Nepal to Panama for her collection titled A People's Archive of Sinking and Melting.
Communities are best placed to decide whether, and how, their lives and homes must be memorialised, so there must be processes for them to act on what's “most important and urgent”, said Kasia Paprocki, an associate professor of environment at the London School of Economics and Political Science.
Separately, an online museum of photos, videos, artefacts and stories of communities facing climate impacts is being set up by the International Institute for Environment and Development (IIED), a thinktank, with Dhaka-based International Centre for Climate Change and Development.
“Somebody in Senegal, Malawi, or Botswana losing something may not mean much to somebody sitting in the UK or Germany,” said Ritu Bharadwaj, a principal researcher at IIED.
“But if they see photos or videos of what we are losing as a global heritage, it would help foster a sense of value and respect.”
While objects can help connect to stories and people, place matters, said Jenny Newell, curator for climate change at the Australian Museum's Climate Solutions Centre.
“It's all about the place, and it's hard to memorialise a whole place with the depth and the richness of interconnections that can be held onto, and passed on between generations, when the place is gone,” she said.
In Tuvalu last month, an election result was delayed by weeks as dangerous weather stopped boats from bringing new lawmakers to the capital to vote for a prime minister.
That has made the question officials are posing to the population of about 12,000 more urgent: “What is the one thing you want to save if you lose everything?”
These could be artefacts of sentimental value, sounds of children talking, stories told by their grandfathers or vibrant dances at their festivals.
These will be digitised and become part of a “digital ark”, carrying the “very soul of Tuvalu” and preserving its essence, Kofe said.
However, while the digital nation can preserve elements of Tuvaluan culture and tradition, there is a risk of “losing the intangible and dynamic aspects of culture that are rooted in physical space and social interaction”, said James Ellsmoor, CEO of Island Innovation, a consultancy.
Building a digital nation requires “significant technical expertise, infrastructure, and resources” that can be challenging for small island nations, he said.
“Ensuring accessibility and inclusivity for all Tuvaluans within the digital space adds another layer of complexity.”
In addition to these issues is the paradox of forcing more people to spend more time in virtual spaces, said Kelly.
“This would consume huge amounts of resources, electricity and rare minerals, in particular, which would have an impact in making climate change worse,” he said.
Australia last year signed an agreement to allow 280 people to migrate from Tuvalu every year because of climate threats.
As more Tuvaluans leave, the bond with the land and the ocean is irretrievably lost, said Lin, a Tuvaluan who moved to New Zealand with her family when she was eight years old.
“I can still remember the sound of the waves crashing on the shore, the church bell ringing for evening devotion,” said Line.
“You cannot digitally replicate the soil that grounds us a people. You cannot replicate physical connections.”
Thomson Reuters Foundation
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