The film begins with satirical voiceovers and speeches to camera that place it in the realm of political movies like The Big Short and Vice. But the choice to use this technique feels like a mistake when the reality of the "giving head to get ahead" culture at the network is revealed.
Theron gives a dedicated performance as Kelly but there's little in the way of exploration of her questionable politics, and Kidman, after setting the ball rolling, is relegated to making meaningful eye movements when talking to her lawyers on the phone.
For a more nuanced and layered exploration of the story and Ailes's character, look to Russell Crowe in last year's Showtime mini-series The Loudest Voice, which offers a more incisive portrait of the dodgy politics and ambitions of its villain.